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Fans of experimental noise Rock rejoice! Today is Brian Chippendale’s birthday. He plays drums and sings in the band Lightning Bolt and several other of his own projects including Black Pus and Mindflayer. “Have I ever heard Brian Chippendale play?” you might ask yourself. Rest assured, you would know if you’ve heard him. Chippendale’s style is a storm of speed and rhythm that maximizes volume and drum hits per measure in an ecstatic frenzy that makes Keith Moon’s technique sound like meditation. “Fierce” and “bold” don’t begin to describe the sounds he makes, but he’s not a one-trick pony. Among his numerous collaborations (including playing drums for the 2007 Bjork album Volta) he is also a visual artist who created all of the Lightning Bolt’s album art as well as his own comics and graphic novels.
It’s a good day to make it loud, so take your MP3 player, press the "shuffle" button, and share the first 10 songs that play:
Boston’s Blake Babies were one of those many, many “college rock” bands that burned brightly and burned out quickly in the late 1980’s and early 1990’s. Legend has it that their name was provided by Allen “Howl” Ginsberg after a reading at Harvard, most likely inspired by a poet of an earlier generation, William Blake.
The core trio of Juliana Hatfield, John Strohm and Freda Boner came together in 1986, released three high quality but little heard records, Nicely, Nicely (1987), Earwig (1989), Sunburn(1990), broke up in 1991, and reunited in 2001 with God Bless The Blake Babies.
During those ten years or so, Hatfield embarked on a successful solo career (she was the crush of many a bespectacled cardigan-wearing indie-rock loving college boy, back in the day), including her hit single “My Sister” (which was either a very strong song or a brazen attempt to garner Top 40 airplay, depending on which of those fans you asked, many of whose fickle favors had moved on to other, similarly unrequited focuses of adoration).
[The CHIRP Radio Movie Collection documents great movies that feature musicians or the use of music in storytelling.]
The Plot: The rise and fall of Factory Records, told through the eyes of label founder, Manchester booster, and (depending on who you ask) overall scoundrel Tony Wilson
There’s a story about the history of Rock music that’s almost certainly apocryphal but is too good to not use: Only a couple of hundred people ever saw the Velvet Underground perform live, but every single one of them went on to form their own bands. This brief anecdote highlights the power music has over people, a power that remains explainable more by magic than science.
It’s this magic of discovery and creation and being part of a scene that’s captured brilliantly in 24 Hour Party People, the story of how local TV presenter Tony Wilson helped briefly turn the city of Manchester into the center of the music world with his label Factory Records. Director Michael Winterbottom starts the film with a VU-eque sequence - in this case, a late ‘70s Sex Pistols show with about a dozen people in the audience. Wilson, the narrator, scans the room and points out a few of the not-yet-known individuals in attendance: The young woman over there with the wild hair would soon be known as Siouxie Sioux of Siouxie and the Banshees. The curly-haired dude off to the side would become the lead singer for Simply Red. And the three intense-looking young men in the back? They would start a band called Joy Division, and in doing so change the course of music history.
So far, the 2016 Republican Party National convention in Cleveland has been, to borrow a phrase from Jay and Silent Bob, “clown shoes.” Failed insurrections. Plagiarized keynote speeches. Guest appearances by Scott Flippin’ Baio.
Now it’s been revealed that the band Queen would rather the GOP not use their song “We Are the Champions” as soon-to-be nominee Donald Trump’s entrance music. Just another in a long line of artists and bands who do not want their music associated with this particular party.
What would be some appropriate music to use for this occasion? In the spirit of bipartisanship, I want to help. So here are some suggestions based on what I've seen and heard and read about the state of the GOP these last few months, with an important caveat to whoever it is running operations for the convention - YOU MIGHT WANT TO GET PERMISSION FIRST.